My Archetypal Wheel

Updated: Mar 26, 2019



#archetypes #archetypalwheel

Writing a screenplay can certainly feel like running a marathon, and basically, it is exactly that, with one major difference: while writing your script you can take a break, listen to some music or meditate, or stretch your sore muscles and you won’t lose because of that. On the contrary, the law of polarity asks us to have fun along the way. Being intuitive also means asking questions and having the answers when not expected.





Since the last post, I have been researching the wheel of 12 archetypes further and I have come to some interesting conclusions. Those archetypal wheels I found on the internet, that obviously both were inspired by the Jungian archetypes and Awakening the heroes within, are actually inaccurate, at least they don’t work one hundred percent on any meaningful level. Why do I think that?




Well, first of all, the 12 archetypes obviously come from the zodiac wheel. Where else would they come from?


If you are not into astrology, no big deal, it is enough to understand that mathematics and archetypal meanings should work together in order for astrology to work. And also archetypal meanings even though they may appear in different shapes should be recognized several times in order to become archetypes.

Imagine four glass circles or four different colored layers and let’s say each of them has 12 holes, but sometimes the holes are in different places and other times in the same. Imagine you want to arrange these four circles in a way so that you can see through all of them at the same time, while holes all line up with each other… Of course, if you manage to do that, what you can see now is different from what you can see through just one of them.


It is the same in storytelling, isn’t it?

You have to find patterns but then again you have to interpret them in a new way.


So, you probably figured, this post is just for geeks or those who like to play with patterns, but I also can’t imagine a storyteller who would not love patterns. In other words, this has nothing to do with storytelling and at the same time has everything to do with it.


Let’s dive in.

Carol S. Pearson explains in her book Awakening the heroes within, that “according to Jung, the number four and the shape of the mandala are associated both with wholeness and with the discovery of the Self.”

Even though I think she has actually never made any archetypal wheel (other people have done it according to her research), she also doesn’t have more than one “colored glass layer” to put in the research. Second thing: the reason behind why she put some of the archetypes in the Ego, Soul or Self sections sometimes seems rather random. So even this one layer doesn’t really correlate with anything we know.


What I would like to do here for fun is to add some layers to those 12 archetypes (we wrote about them before) and to put archetypes in sections I think the new wheel suggests.


FOUR LAYERS CONSIST OF:


  • Two polarities:

feminine and masculine


  • Four astrological elements (4x3 =12):

Fire (BIRTH, inspiration, masculine), me and the world

Earth (MANIFESTATION, fertile, feminine), me and others

Air (STRUCTURE, spirit, communication, connection, masculine), we are the world

Water (DEATH-rebirth, emotion, intuition, feminine), Beyond this world – paradise


  • Three astrological modalities (3x4):

"each of the four elements manifests in three modalities: Cardinal, Fixed and Mutable. As each modality comprehends four signs, these are also known as Quadruplicities. They are occasionally referred to as crosses because each modality forms a cross when drawn across the zodiac":


Cardinal (pushes)

Fixed (sustains)

Mutual (adapts)


  • Three layers of the psyche (3x4):

Ego: understands liner time and dies.

Soul: has no linear measure of time – never dies.

Self: union of Ego and Soul, birth of the Self in an essential, unique way – individuation.


This layer is also important for us because soon we are going to dive into Hero’s or Writer's Journey (Joseph Campbell or Christopher Vogler) and this is the basic concept of it:

“The three stages of the hero’s journey—preparation, journey, return—parallel exactly the stages of human psychological development: we first develop the Ego, then encounter the Soul, and finally give birth to a unique sense of Self. The journey of the Ego teaches us how to be safe and successful in the world; the journey of the Soul helps us to become real and authentic as we encounter the deepest mysteries of life; and the journey of the Self shows us the way to find and express our authenticity, power, and freedom.”